quality or quantity?

Is it quantity or quality that matters more? It should be a straightforward question, with a generally accepted answer of "quality", but I don't believe it's so black and white.

Rooted in art
While I've been drawing and painting since I was younger, my progress has arguably been slower than many of my peers. Not that it's a competition, as art in and of itself is very subjective, but for most of my artistic endeavors, I would be considered a painter, or a drawer, rather than an artist.

I wanted to be able to depict reality as I saw it. The shades of the apples must be exactly so, the figure's hands should be as they seem, the bark on the trees is too uniform. I focused solely on the techniques, and creating grand masterpieces every time I pulled out my pencil. If it didn't work out with a few strokes, I abandoned it.

Wearing: Sanctuary Co leather jacket (similar), Lush white peasant top (similar), Bullhead high rise skinniest jeans, Sam Edelman Felicia black flats, Kimchi Blue allover lace scalloped bralette

Do it for the process
When others had already progressed from rudimentary portraits with barely shaded eyes and piano teeth, I was still refining that one eyelash. I went for quality over quantity, but it didn't help me improve. I stayed where I was, and my fear of creating something "low quality" kept me from trying new styles or seeing things differently.

Over time, I used my sketchbook as a tool instead, and stopped seeing things as "failures" if they didn't work out. I did it for the process, rather than the outcome.

How I've changed
In life, doing it for the process is a mindset that's vastly improved my mood and outlook. I value the process more so than the outcome, especially if things don't go according to plan. Memories of ended relationships are kept close for how they made me feel and what I learned from them, botched projects for what to work on in the future, "wasted" hours for taking a break or letting the line slacken for once.

Maybe quality and quantity both play an equal part in things. Quality should trump quantity, but without the latter, the former is difficult to obtain.

What do you think? Is there anything you'd consider black and white? Where did you go "wrong" that ended up being better in the end?

xx
Angelina

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photography by Serina

valentine's day: match your outfit to your lips

My favorite thing about Valentine's Day is the colors. And the chocolate (who could forget the chocolate?) 

Some lipsticks inspired by the pinks and reds of V-Day, plus outfit inspiration. All from e.l.f - they were having a sale, and I was easily roped in. 

Natural

Wear with: flowy, fairytale dresses and anything feminine. Top it off with a no-fuss hairstyle, and basic sandals. 

Praline

Wear with: monochrome neutrals and sleek hair. Finish with sneakers and a simple bag. 

Pink Minx

Wear with: neutrals, but with a twist. Mix modern and vintage, and pile on the accessories. 

Red Carpet

Wear with: more monochrome. But white this time! Change it up with textures and embellishments. Challenge yourself to avoid lipstick smudges when changing.

Rich Red

Wear with: your classic French wardrobe. Buy and eat lots of baguettes and macarons. 

Regular fashion and pretentious writing resuming next week ((:

Which is your favorite outfit? What's your favorite lipstick (recommendations sorely needed)? What are your Valentine's Day plans?

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amplified existence - "big magic" book review

When a book comes out with an aesthetically pleasing cover, you get it, if not just for blog props. When said book is about creativity, and is written by Elizabeth Gilbert, it's an even better reason to get it!

While I definitely judged Big Magic by its cover, I was not disappointed in the least.

An overview
Gilbert separates the aspects of creativity into 7 parts: Courage, Enchantment, Permission, Persistence, Trust, and Divinity. Within each part, there are mini "chapters", a few pages long at most. She includes personal anecdotes, as well as stories of other creatives.

The way it was written is startlingly readable and fresh. It does technically fall into the category of "self help", but it had none of the sappy, easy to predict advice I'd expected. But I mean, we are talking about the woman who wrote Eat Pray Love...

"Hey Liz..."
It feels as though she is actually sitting there, talking you through how to be more creative - something we've all tried to do at some point. And it's not from her high up stoop as a successful and published writer, it's from the passenger seat. It's the kind of book that gives you tingles in your toes, and itches in your fingers, the kind of book that makes you get in your car and drive to new places.

I actually developed my own routine with this book; it became my constant companion while I was wandering through its creamy, white pages. I'd plunk the book on my desk, and ravenously devour a couple of chapters. Then I'd pause, make my way downstairs for a cup of tea, letting Gilbert's ideas really sink in.

Inspiration is fickle
Her ideas are like nothing I've ever heard before about creativity. For her, inspiration is a live being, a spirit who travels through the universe, like a nature spirit or nymph. It'll come to you if it senses openness and a willingness to try new things, but it won't wait around forever. Sometimes it'll come and drop an idea in your head, but the idea just won't be compatible with you. This idea might wait around, or it could pack its bags and head over to someone else.

After a few chapters, I'd sit and let inspiration come to me. Surprisingly, it was quite willing. I'd had a previous habit of denying its ideas quickly, judging them on the spot, and over time, inspiration would only peek out from around a corner. But after Big Magic, I welcomed whatever idea it was willing to throw to me, and I went with it.

Wearing: Topshop cropped sweater (similar), Lush envelope soft pant (similar), BP. teardrop necklace (similar), VANS white slip on

It was a novel experience, having ideas flow quickly and endlessly. I didn't question anything, I just took pleasure in the simple act of putting pencil to paper, and used that as my validation, rather than how "good" my art turned out. And it ended up turning out better than anything I'd created before.

A day in the city
I rarely venture up to the city, but when I do, it's a day of adventure and new sights. This was my first time at Baker Beach; I can see why it's such a popular tourist site. One of my favorite parts about San Francisco, and cities in general, is the wide range of people there. There is so much creativity and innovation, it's bound to rub off right?


The takeaway
Elizabeth Gilbert is wise. I love what I've been able to do since, just keeping these ideas in the back of my head (inspiration is always at the front of the table as thanks):

*Don't turn inspiration away, even if you don't like what it's telling you
*Take pleasure in creating art, not just the art itself
*Some ideas may not be right for you; thank them and let them go
*Don't be a "starving artist", love your art and it will love you
*Treat you art like an affair - you can definitely make time for it everyday
*Fear is healthy, to a certain extent

Without a doubt, this is a book well worth your time. And really, it's not just because of the pretty cover.

Have you read Big Magic by Elizabeth Gilbert? What's your take on living creatively? Where do you get inspiration from?

xx
Angelina

p.s. I've got more book reviews! Books by strong women or art/photography/fashion books.
p.p.s. here's a more creative piece I wrote and really liked. it's on idealization, and how I feel about it. let me know what you think of it!

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photography by Serina